Technology · Creative · Media
Hi! I'm Head of Operations. I work at the intersection of creative and tech — building studios, scaling teams, and making complex productions run with quiet precision. 12+ years in CG, VFX and multimedia content production.
About Me
I've spent over a decade leading creative tech, CG production, and cross-functional teams. My experience spans process design, production pipelines, budgeting, stakeholder management, and hands-on AI automation adoption.
What keeps me engaged is the moment chaos turns into a working system — when a fragmented team starts moving predictably, production risks are solved before they escalate, or when automation quietly removes hours of manual work.
I'm not someone who offers quick fixes or "learn it in two months" promises. Instead I focus on building systems that hold up over time. I'm known as a disciplined, long-term player, both professionally and personally, who keeps moving forward when others drop out of the race.
Toolkit
Experience
Awards
Skills
Career
Designed and launched a matrix management system across departments within 6 months
Identified and led cost optimization initiatives with 32% EBITDA uplift and −20% OPEX
Developed the structure of production units and KPIs within teams to facilitate the organic ×2 scaling of the studio
Created from scratch a studio knowledge base (100+ SOPs)
Mentored 2 coordinators and 7 producers to operate independently
Integrated AI tools to optimize processes across departments, reducing manual workload by 40%
Rose project margins from 20% to 45–60% by restructuring production pipelines and vendor relationships
Ensured 93% eNPS score across the team through culture-first operations and transparent communication
Approach
Initiative & Strategic
When something isn't working, I go straightforward to the root. I get directly involved in rethinking how things are structured, and stay close to both the team and the business to make sure changes actually land.
Fast-Learner
I pick up new tools and domains fast, and put them to work immediately. I combine operations, production, and business thinking to find solutions that work across creative, technical, and client-facing contexts.
Multitasker & Leader
I hold a lot of moving parts at once without losing people in the process. I adapt my communication style to whoever I'm talking to, from artists to C-level, and lead by clearing the path, so the team can focus on the work.
Mentor
I build clear onboarding systems, so new people understand not just procedures, but how and why decisions get made. People I've worked with tend to grow faster than expected, and that's intentional.
Case Studies
Five real situations. Each one required a clear head, a structured approach, and the ability to act before the problem became a crisis.
Situation
A live-action commercial required a complex CG character — a Kraken emerging from water to capture a pirate ship. After estimating, the client found the cost too high. Cutting other production elements wasn't an option.
What I did
Proposed a creative-production optimization: instead of animating the full creature, we'd show only 3–4 tentacles per shot. We approved with the client exactly how many tentacles appeared in each frame — enough to establish the character convincingly and show real physical interaction with the actors. Fewer tentacles meant significantly less animation work. The story, drama, and impact stayed completely intact.
Outcome
Budget approved. Animating 3–4 tentacles instead of 8 actually reduced CG complexity — no extra work for the team, no margin loss for the studio, no creative compromise for the client. They got the Kraken they envisioned, just smarter. This case became an internal reference for finding a win-win when budget and creative ambition collide.
Situation
A vetted freelancer — someone we'd worked with successfully before — was assigned a key production task. Status calls were consistently positive: "everything on track, will be ready by deadline". But dailies weren't coming through, visible progress was thin, and what did arrive didn't meet quality bar.
What I did
Instead of waiting for a last-minute crisis or hoping for a miracle, I brought in a second specialist to build the same asset in parallel. The first freelancer was recalculated to reflect their actual deliverable, so the cost of two artists doing one task stayed within the original single-artist budget.
Outcome
Project delivered on time with no crunch and no budget overrun. Two artists working the same task cost no more than one, because the first was paid for what they delivered. The lesson: past performance doesn't replace active monitoring, and a silent Plan B changes everything.
Situation
An internal DevOps/HR project stalled: the engineer reported to the CTO, but tasks were assigned by HR. Priority conflict led to no movement for 2 weeks.
What I did
Initiated a three-way alignment meeting: engineer, CTO, HR lead. Documented full scope and a shared Definition of Done. Built a phased Gantt with explicit ownership per stage. Introduced daily 15-minute standups until delivery. Ran MVP testing with an internal focus group before release. Made it structurally possible for three people with different reporting lines to ship something together.
Outcome
Project delivered in 3 weeks from the point of intervention with no over-engineering and no missed requirements. The cross-ownership model — CTO and HR co-sponsoring internal IT work — was documented in the knowledge base as an algorithm, preventing the same deadlock by design on future projects.
Situation
Team doubled from 30 to 60 people in 6 months. Leadership decided not to expand the back-office, with no new IT support or HR/Recruiter headcount. Volume of internal requests and freelancer sourcing grew proportionally. HR team was managing leave balances, overtime, salary changes, and employee records manually in spreadsheets — error-prone and time-consuming as the team scaled.
What I did
1. For IT: a Telegram bot with a guided troubleshooting flow and self-service system, pulling answers from the internal knowledge base, covering the most common issues without involving a support specialist.
2. For Recruiter: a structured freelancer database tagged by skill, tool, rate, and availability, letting producers find and book the right contractor independently, without going through a recruiter for every task.
3. For HR: initiated and led the development of an internal HRIS with the DevOps team: defined requirements, documented scope, facilitated alignment between HR and engineering, and oversaw delivery. The system gave HR a centralised dashboard to track leave balances (vacation and sick days), monitor overtime, log compensation changes, update tenure, and maintain full employee records — all without manual spreadsheet work.
Outcome
Back-office load stayed flat despite team doubling. No additional admin headcount was needed — OPEX kept in check while delivery capacity scaled.
IT bot cut 40% of routine manual requests.
Producers reduced freelancer sourcing time from days to hours.
HR moved from manual spreadsheets to a self-service dashboard. Time spent on routine data management dropped by 60%. Data accuracy improved — no more version conflicts or lost entries. HR could focus on people work rather than admin.
Situation
As the studio grew, three bottlenecks kept surfacing: incoming client requests required too much back-and-forth before a producer could even qualify them; document flow (contracts, briefs, invoices) was manual and inconsistent; and internal operational data was scattered across tools. Leadership couldn't get a quick picture of the business without pulling from five different sources.
What I did
1. Client intake: Built a Telegram bot via n8n integrated with the studio CRM. The bot collects full project specs from prospects (budget, timeline, style refs, deliverables), automatically sends the company deck and 3 relevant case studies matched by keywords, and generates pre-filled Asana cards.
2. Contractor finance docs: Automated document flow via Airtable + Zapier. Contractors submit documents once via a form; OCR extracts key data (amounts, dates, tax IDs) and auto-fills the Finance Base. Missing documents are flagged automatically with alerts to producers via Telegram or email.
3. Finance & ops dashboard: Built a custom ERP system to unify operational data: project tracking, financials, team load, and reporting — in a single interface built specifically for a CG studio's workflow. Defined requirements, documented scope, built MVP via Codex and Claude Code.
Integrated role-based access:
• producers see their project budgets and team load;
• HR track leave balances, overtime, and compensation history;
• CFO gets cross-project P&L and cashflow;
• CEO has a single control panel aggregating all of the above.
Data from separate tables, projects, and departments feeds into one place — no more pulling reports manually or reconciling conflicting spreadsheet versions.
Outcome
Client intake: 2h → 10 min (−90%)
Contractor finance admin: 15h → 45 min/month (−95%)
No finance manager hire needed for document processing
CEO and CFO have real-time cross-project visibility without requesting reports.
Back-office headcount: unchanged.
Selected Work
Project Types
Winline — Cashback
Mastercard
Tele2 — Wave
Tele2 — Treasures
Oral B — Design Concepts
Rolf Ultra
Sber 120
Sber Business
OZON
OZON
Winline — Qatar Cup
Winline — Qatar Freebet
Tinkoff Mobile City
Avito
Dobry OLV
Bepanthen
Winline — Shine Sunrise
Winline — Shine Zenith
Oxxxymiron — Music Video
DVV Entertainment
Kaspersky Lab
Expo Closing Ceremony — Astana 2017
LED & Projection Show for a Private Event
Multimedia Content for a Corporate Museum
Prosvet 2020
Intervals 2022
AmoCRM 2018
Polytechnic Museum — Intro
AmoCRM 2019
Muz-TV Awards 2017
Ethnic Music Festival 2017/2018
Scarlet Sails Festival 2017
Gluk'oza — Video Content
Bilan 33 — Mapping & LED Visuals
2022
Dancing with the Stars — Design Concepts
2020
Chess the Musical Show
Channel 1 — "The Minute of Fame"
Channel 1 — "Three Chords"
Get in touch
I'm always open to discussing new opportunities, creative projects, and ways to bring your vision to life.